A Narrativa Visual Bruce Block Pdf

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If you can't make it to one of Bruce Block's legendary visual storytelling seminars, then you need his book! Now in full color for the first time, this best-seller offers a clear view of the relationship between the story/script structure and the visual structure of a film, video, animated piece, or video game. You'll learn how to structure your visuals as carefully as a writer structures a story or a composer structures music. Understanding visual structure allows you to communicate moods and emotions, and most importantly, reveals the critical relationship between story structure and visual structure. The concepts in this book will benefit writers, directors, photographers, production designers, art directors, and editors who are always confronted by the same visual problems that have faced every picture maker in the past, present, and future. •; April 2013 • ISBN 468 • Read online, or download in secure PDF or secure EPUB format • Title: The Visual Story • Author: Bruce Block • Imprint: Routledge.
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So I've just started to skim the surface of Bruce Blocks: The Visual Story, my reading pace seems quite staggered, but I believe that's due to the long recap period required after each chapter. Every page is riddled with diagrams and examples of films to check out, a lot of information in a small amount of space, it can take a while to grasp and fully understand a single point made. The main outstanding notes I have made for Chapter 1 & 2 are as followed; There are three main elements to any film production, these are categorised as - Story: Building blocks of plot, character and dialogue - Sound: Building blocks of dialogue, sound effects and music - Visuals: Which is built upon; The Basic Visual Components; - Space: the physical space in front of camera, the space on screen, the size of the screen itself. - Line and Shape: lines make up and appear to create all shapes - Tone: the brightness of an object relative to the grey scale - Colour: the most powerful visual component. Movement: to attract the eye via objects on camera An actor is part of these visual components, no difference between them and other objects, still use space, lines, shapes, tones, colours and movement.
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Visual component can portray emotion and messages to the audience, perfect example for sound is the music in Jaws and Psycho which communicates terror. A perfect example for colour would be that red indicates danger, its a stereotypical and well known colour for it, but you don't have to stick to conventions, blue could show danger if portrayed to the audience enough. The next major point made is that of Film progression, diagrammed simply as a point transforming into a line, transforming into a cube, something starting off as simple and evolving into something complex. Examples in films include; Raging Bull; Fight scenes start of as very simple and end very complex The Birds; The birds are constantly gathering more and more to attack The North by Northwest cornfield scene, the scene progresses from very dull to high intensity.