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Lionel Loueke (born 27 April 1973) is a guitarist and vocalist born in Benin. He moved to Ivory. He was selected in a worldwide search by a panel of judges, including jazz musicians. Karibu (Blue Note, 2008); Mwaliko (Blue Note, 2010); Heritage (Blue Note, 2012). Create a book Download as PDF Printable version. Dec 19, 2018 - Musicians: Raul Midon, Lionel Loueke, Massimo Biolcati, Ferenc Nemeth, - order tickets, find location and other info. Never miss another jazz.

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“I couldn’t believe he was playing the guitar. I had never heard anything close to that in my life up to that point. So I decided to do some transcriptions, because I wanted to learn those phrases.” But there was another parental obstacle – he wasn’t allowed to touch the record player in the living room, so he had to wait until Sundays when his parents went out to church. Then he would position his little cassette recorder in front of the speakers and tape whatever borrowed vinyl he could get his hands on.

He would spend long days poring over his cassettes, learning every phrase by heart, not realising that Benson was improvising. “I had no idea,” he exclaims. “That’s actually how I started singing too. I couldn’t speak a word of English, you know, so everything was by ear, just like the music. I was just imitating the sounds of the words and trying to sing like him. Before that, I was singing south African songs, Congolese songs, but when I heard, it was completely different. Here was somebody singing the notes with the guitar and that got completely under my skin.” Within a year, Loueke had overcome parental disapproval and embarked on a marathon, continent-hopping music education that took him first to the National Institute of Art in the Ivory Coast, then to the American School of Modern Music in Paris, and finally in 1999, to Berklee College of Music in Boston.

At every stage, the young guitarist was soaking up the influences that were coming at him from every direction – he remembers his amazement at hearing Coltrane for the first time – and for a while ignoring his African roots. “It’s like a language. For me, it was never going to go anyway. Like, I will forget my mother tongue?

There was no way it was going to happen. When I went to France, I knew there were a lot of African musicians playing African music, but I never got in touch with them, because for me, I didn’t go to Paris to play African music, I got to Paris to play jazz.” But at Berklee, he hooked up with two musicians who are still his regular collaborators – Swedish-Italian bassist Massimo Biolcati and Hungarian drummer Ferenc Nemeth – and together, they began to develop a musical language that fused eastern European rhythms with his own African roots. By the time he auditioned for the post-graduate programme at the in Los Angeles, before a panel that included some of the greats of US jazz, including, and, the sound of Africa had found its way back into his playing, and it was clear to his listeners that here was a new jazz voice, fresh and original but redolent of the roots they all shared. Before he had finished the two-year course, he had already performed with Shorter and Hancock and was touring with Blanchard. In 2008, he was invited to join Hancock’s band. For a musician with such a thirst for knowledge, playing with Hancock was an education at a whole new level, but perhaps the great pianist was also looking to learn something from his young African recruit. “I think those guys, they learn everyday from anybody, and that’s what makes them the strongest guys.